Dietmar Brehm: Black Garden

The moods of his films resemble an atmosphere between the dream and trauma. Brehm treats the dream as a source of strategies for association, similar to the secondary process to which according to Freud all the workings of the unconscious are subject. Dietmar Brehm – a master of the grammar of a non-conceptual language.
(Bert Rebhandl)

-The Murder Mystery 1987/92, 16 Min,
-Blicklust 1992, 16 Min,
-Party 1995, 17 Min,
-Macumba 1995, 18 Min,
-Corridor 1997, 18 Min,
-Organics 1998/99, 17 Min,
Bonustrack: Interview Mit Dietmar Brehm 2000, 8:30 Min

Total running time 117 min
Extra DVD 20 pages booklet, bilingual English-German